FE1
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 55-61

Crotchets after minims in AsI & A (→GEFESB)

Crotchets and minims together in EE

Various rhythms in FE

Unlike in b. 16-17 and subsequent, GE arranged the L.H. notes correctly: it is clearly indicated that each of the 4 notes in each half-bar figure should be played separately (only at the beginning of b. 60 the second note – a dotted crotchet – is written too close to the minim, which could raise doubts if considered without the context of this entire fragment). In spite of that, FE combined the dotted crotchet with the minim in two places (at the beginning of b. 60 and at the beginning of b. 55), thus suggesting that they should be performed simultaneously (the same mistake was also committed at the beginning of b. 62). In FESB the L.H. arrangement is greatly inaccurate; however, the defects are due to carelessness, supposedly without influence on the understanding of the rhythmic structure of these bars. The boldest distortion is to be found in EE, in which in all places the dotted crotchets are combined with the preceding minims, which means that they are to be played simultaneously (also in b. 62).

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, FE revisions

notation: Rhythm

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Original in: Muzeum Narodowe w Krakowie