Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
A includes the following accidentals in these bars (in numerical order):
- R.H. a
to b, a to b2, a 
to a
3 | flats to a-a1, two to b1, on the 4th and 9th semiquavers; - L.H. flats to A1-A and a1-a2, a to b1 | a to A, a to B, a to A.
Before the 1st chord in b. 35, there are visible traces of removal (erasure) of an accidental – it was most probably a cautionary to d1.
In GE1 (→GE2) the following were also added:
- R.H. a to d1 (cautionary), a to b3, a to a2, a to b1 | a to b; the unnecessary to b1 was removed in the 2nd half of the bar;
- L.H. naturals to b (3rd beat) and B-b | a to A1, a to B1, a to A1.
In later editions the version of GE1 (→GE2) was supplemented with the following (all additions in b. 35):
- in FE a to b2 on the 4th semiquaver;
- in EE1 (→EE2) a to a on the 4th semiquaver and flats to a1-a2 on the 4th beat of the bar; in EE3 also a to b2 on the 4th semiquaver;
- in FESB a to a1 on the 4th semiquaver and flats to A-a at the end of the bar;
- in GE3 flats to a1-a2 and naturals to b-b1 on the 4th beat of the bar in the R.H. and flats to a-a1 and A-a in the L.H.
Compare the passage in the sources »
category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information
issues: Accidentals in different octaves, Corrections in A, Cautionary accidentals, Inaccuracies in A
notation: Pitch
