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b. 10
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information |
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b. 10
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 11
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composition: Op. 2, Variations, complete
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According to the notation of AsI, the intended shape of the melody of this fragment always included the bottom second (b1), both in the introduction and the ending. Therefore, the fact that A (→GE1→EE) does not include a written-out ending of the trill does not mean that Chopin intended a performance without an ending; it is simply an inaccurate notation. The changes introduced into GE2 and FE resulted from Chopin's intervention, whereas GE2 misinterpreted Chopin's indication, as a result of which the grace notes were encompassed with an octave sign and not added after the trill (as they should be). category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE , Authentic corrections of GE |
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b. 11
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composition: Op. 2, Variations, complete
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This is one of many inaccuracies of GE in the reproduction of Chopinesque slurs (as well as, e.g. dynamic hairpins), which would often be adjusted to clear rhythmic structures, e.g. beams or bars. However, it should be noted that A can also be imprecise in this respect – cf., e.g. b. 9. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 11
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composition: Op. 2, Variations, complete
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In the main text we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Inaccuracies in A |
to f. In