Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
EEW - First English edition
Main text
As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF EEW - First English edition


  b. 9-14

Acciaccaturas in As, FE (→EEW)

Appoggiaturas in GE

The non-slashed grace notes in bars 9 and 14 is a systematic inaccuracy of the engraver of GE – all grace notes in the entire opus 63 are non-slashed in GE. As confirms the authenticity of short, slashed grace notes of FE (→EE).

See b. 41-49

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Ornaments

Missing markers on sources: FE1, FE2, FES, GE1, GE2, GE3, EEW, As