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Ornaments

b. 9-14

composition: Op. 63 No. 2, Mazurka in F minor

Acciaccaturas in As, FE (→EEW)

Appoggiaturas in GE

..

The non-slashed grace notes in bars 9 and 14 is a systematic inaccuracy of the engraver of GE – all grace notes in the entire opus 63 are non-slashed in GE. As confirms the authenticity of short, slashed grace notes of FE (→EE).

category imprint: Differences between sources

issues: GE revisions

b. 22

composition: Op. 63 No. 2, Mazurka in F minor

 in As & GE3

No mark in FE (→GE1,GE2,→EEW)

Our variant suggestion

..

The missing mordent in FE (→EEW,GE1GE2) is most probably an oversight, which is indicated by the presence of  in As and by a comparison with analogous bars 18, 26 and 30. The mordent was added in GE3, most probably to standardise the version of these 4 bars. In the main text we suggest it in a variant form.

category imprint: Differences between sources; Editorial revisions

issues: Errors in FE , GE revisions

b. 30

composition: Op. 63 No. 2, Mazurka in F minor

No ornament in As

in FE (→GE,EE)

..

The absence of mordent in As could be considered an inaccuracy related to the sketchy nature of this manuscript, but for the fact that in bar 22  is not included in the version prepared for print. It could only have been a coincidence – the inaccuracy of As here and, for example, the oversight by the engraver of FE in bar 22 – but Chopin's hesitation cannot be completely ruled out.

category imprint: Differences between sources

issues: Chopin's hesitations

b. 41-49

composition: Op. 63 No. 2, Mazurka in F minor

Acciaccaturas in As & FE (→EEW)

Appoggiaturas in GE

..

As in bar 9, due to revision, the short grace notes in bars 41 and 49 were changed to long ones in GE.

category imprint: Differences between sources

issues: GE revisions

b. 50

composition: Op. 63 No. 2, Mazurka in F minor

No mark in FE1 (→GE)

 in FE2 (→EEW)

..

Chopin added the mordent while proofreading FE2 (→EEW).

category imprint: Differences between sources

issues: Authentic corrections of FE