Issues : Accompaniment changes
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b. 22-24
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composition: Op. 63 No. 2, Mazurka in F minor
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Chopin at least twice changed the harmonic sequence in bars 22-23. The provided interpretations of two versions of the 3rd crotchet in bar 22 and of the top note of the 1st crotchet in bar 23 are to some extent uncertain due to not having access to the original. In the earlier one, there are no naturals to the d notes, yet the intention of using them is unquestionable – As contains more deficiencies of this nature, e.g. in bars 23-24, in which there is not a single to the d(1) notes. The chord used in the earlier version was applied by Chopin in the repetition of this phrase in bar 30. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 23
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composition: Op. 63 No. 2, Mazurka in F minor
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Chopin performed changes to the R.H. bottom voice while proofreading FE2 (→EEW), giving it an analogous form to bar 31. category imprint: Differences between sources; Corrections & alterations |
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b. 25
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composition: Op. 63 No. 2, Mazurka in F minor
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In the final version, Chopin omitted a B note occuring in As in the last chord. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 25-26
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composition: Op. 63 No. 2, Mazurka in F minor
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Sustaining d1 between bars 25-26 is a subtle diversification of the harmonic progression introduced at the stage of preparing the Mazurka for publication. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 29
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composition: Op. 63 No. 2, Mazurka in F minor
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As in bar 21, in As the melodic voice is moved one second higher compared to the final version. The remaining voices are not written out, which hints – also as in bar 21 – at repeating the version of bar 17. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes |
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