Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
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As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
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GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
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As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
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  b. 21

f1-g1 in As

e1-f1 in FE (→GE,EE)

As includes in this bar only the two R.H. melody notes, which we interpret as an indication that it is the accompanying voices from bar 17 that should be repeated here (see next comment). One can also see that initially Chopin probably wanted to repeat the version of that bar in the melody too – the minim that opens the bar was first written as e1. While preparing the Mazurka for print the composer eventually discarded the notion of diversifying the melody in this bar and maintained a strict analogy with the previous phrase.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Chopin's hesitations, Main-line changes

notation: Pitch

Missing markers on sources: FE1, FE2, FES, GE1, GE2, GE3, EEW, As