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Source: 
p. 2, b. 33-68
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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  b. 36-46

d1 & d2 after AI

d1 & d2 in FE (→GE,EE)

Although the notation of bars 36 and 46 does not differ between AI and FE (→GE,EE), the difference in key signature means that the 2nd quaver is a d1(2) in AI, but a d1(2) in the editions. Both versions are written correctly:

  • in AI, in both bars one can see deleted accidentals to these notes, which proves that Chopin proofread the notation there;
  • the notation of FE1 does not contain any mistakes or inaccuracies in this section (bars 33-52), and the convenience resulting from the prevailing A major key (with d notes) was most probably the main reason behind the change of key signature.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Main-line changes

notation: Pitch

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3