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Issues : Main-line changes
b. 10
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composition: Op. 63 No. 1, Mazurka in B major
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In an earlier version, written down in AI, the entire bar is based on a B major chord, while the thirds in the melody constitute a delay. The final version replaced the melodic tension with harmonic one by introducing a diminished four-note chord as the chord leading to B major. See also bar 78. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes |
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b. 24-25
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composition: Op. 63 No. 1, Mazurka in B major
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The missing tie to e category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 36-46
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composition: Op. 63 No. 1, Mazurka in B major
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Although the notation of bars 36 and 46 does not differ between AI and FE (→GE,EE), the difference in key signature means that the 2nd quaver is a d
category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 55
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composition: Op. 63 No. 1, Mazurka in B major
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The version of AI was eventually abandoned when Chopin prepared the Mazurka for print. However, the deletions visible in the manuscript suggest that the latest version (with quavers only) was at the same time the earliest one, since it was this version that Chopin most probably wrote first; only then did he change it to a version with a crotchet on the 2nd beat of the bar. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 62
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composition: Op. 63 No. 1, Mazurka in B major
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The version of AI with an f category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , GE revisions , Authentic corrections of FE , Main-line changes |