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b. 86
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composition: Op. 63 No. 1, Mazurka in B major
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Chopin added the grace note while proofreading FE2 (→EEW), which we introduce to the main text, since it is the latest version of an enhancing nature. The change of the type of grace note in EEC is a manner of the engraver, who did not use a slashed grace note in this Mazurka even once. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 86
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composition: Op. 63 No. 1, Mazurka in B major
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In AI, as in bar 84, Chopin wrote 2 versions of the 1st and 2nd beats of the bar consecutively. The one he did not delete was then replaced by the FE1 version (→GE). As far as the change of the g category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Accompaniment changes , Authentic corrections of FE , Main-line changes |
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b. 87-92
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composition: Op. 63 No. 1, Mazurka in B major
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In AI the ending of the Mazurka is 4 bars shorter – bars 88-91 are absent, while bars 87 and 92 are present in a different form, which makes it possible to put them together directly adjacent to each other. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Dotted or even rhythm , Changed phrase length |
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b. 90-95
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composition: Op. 63 No. 1, Mazurka in B major category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE inaccuracies |
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b. 91-92
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composition: Op. 63 No. 1, Mazurka in B major
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The missing tie in EEW is a revision or an oversight by the engraver, taking into account the separation of the middle L.H. voice introduced by this edition. In AI bar 91 is absent (and the three preceding ones too) – see bar 87. category imprint: Differences between sources issues: Errors in EE , Incomplete sources |