Six one-bar slurs in these bars probably replaced the longer slurs present in AI – see the notes on bars 49-56 and 57-60. However, while proofreading FE2 Chopin restored here longer slurs, almost of the same range as in AI. It makes us doubt whether it was supposed to be an addition to the already printed slurs or whether the composer actually wanted to return to the initial concept, and the fact that the shorter slurs remained unchanged resulted from the engraver not having implemented the more labour-consuming part of proofreading (removing an element was much more troublesome than adding an element, considering the then used print method). As we are uncertain as to Chopin's intention, in the main text we give short slurs in brackets, leaving the decision of whether to include them or not to the performer.
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category imprint: Differences between sources; Editorial revisions; Corrections & alterations
issues: Inaccuracies in FE, Chopin's hesitations, Authentic corrections of FE
notation: Slurs