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b. 96-101
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations |
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b. 99-100
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composition: Op. 63 No. 1, Mazurka in B major
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The absence of pedal markings in AI does not have to mean that this fragment should be performed without pedal – it is likely that Chopin wrote the markings (here and in the final bars) in the published version due to the new version of the ending (bars 101-102), in which combining the sound of all the played notes without pedal is impossible. category imprint: Differences between sources |
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b. 102
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composition: Op. 63 No. 1, Mazurka in B major
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As 2 bars before, Chopin did not mark the pedalling in AI, which does not have to mean that he did not want the pedal to be used. The absence of category imprint: Differences between sources issues: Errors in GE , No pedal release mark |
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b. 102
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composition: Op. 63 No. 1, Mazurka in B major
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In the final version of the ending of the Mazurka, Chopin marked the L.H. fifths with staccato dots. However, there are no doubts that it is also the R.H. crotchets that are supposed to be performed in this way, hence the absence of dots for the R.H. chords is either a result of carelessness of the engraver of FE1 or an oversight by Chopin. In the main text we add dots; a respective addition was also introduced in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 102
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composition: Op. 63 No. 1, Mazurka in B major
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The energetic and spectacular ending of the Mazurka was created only just in the stage of writing [A]. In the initial version, the last two bars were actually a repetition of the two preceding ones, probably supposed to be more distant and calmer. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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