Page: 
Source: 
p. 6, b. 91-109
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 95-99

Dots without slurs in A

Dots & slurs in FE (→GE,EE)

In A, Chopin applied the same articulation markings system concerning L.H. crotchets as in b. 9 and subsequent – slurs over dots are present only in cases where there are no crotchets in the R.H. part (it was a thought-out system – in b. 99 Chopin removed the L.H. slur, which he considered superfluous due to a slur being present in the R.H.). The slurs added – most probably by Chopin – in the stage of proofreading FE (→GE,EE) prove that the composer was striving for precise and homogenised articulation markings concerning the crotchets in the accompaniment.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Chopin's hesitations, Deletions in A, Authentic corrections of FE

notation: Slurs

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3