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p. 2, b. 22-40
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 33

In A, the R.H. part in the entire 2nd half of the bar was deleted and rewritten on the stave above. Insofar as it is possible to interpret the legible fragments, the change probably concerned the rhythmic issues only – it can be seen that the first 8 notes of the roulade were provided with semiquaver beams, 4 notes each, as in the 1st half of the bar. The corrections were carried out in two stages: first, Chopin deleted the final fragment of the roulade, which he then rewrote at the end of the line; it was only then that he deleted the entire 2nd half of the bar. 

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A, Main-line changes

notation: Rhythm

Missing markers on sources: FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3