Page: 
Source: 
p. 5, b. 74-90
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
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Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 77

The version of FE of the R.H. rhythm is wrong – the tied e1 crotchet and the dotted e2 crotchet are placed over the 3rd and 4th L.H. crotchets; in addition, the dot prolonging the e1 minim was removed (one can see traces of it having been removed). Therefore, it is most likely that the reviser (engraver?), confused by the wrong arrangement of notes, adjusted the rhythmic values in the 1st half of the bar to that wrong arrangement. The versions of the remaining sources are correct.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in FE, GE revisions, FE revisions

notation: Rhythm

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3