Page: 
Source: 
p. 10, b. 156-172
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 158-161

Having returned to the key of E major at the beginning of b. 158, Chopin inserted and then deleted in A the naturals to a in this bar (in the right and left hands) and to a1 in b. 159. By contrast, he left the cautionary  to a2 in the R.H. in b. 161. This version was repeated by all editions. In the main text we add cautionary naturals to a1 in b. 159 and a2 in b. 160-161 and cautionary flats to the L.H. e1/2/3 notes in b. 158-161.

Compare the passage in the sources»

category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Cautionary accidentals, Deletions in A, Last key signature sign

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3