Page: 
Source: 
p. 11, b. 173-187
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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copy link PDF A - Autograph


  b. 173

Mordent in A

Grace note in FE (→GE,EE)

We consider the grace note in FE (→GE,EE) the latest authentic version, although it seems that the mordent present in A was not being removed at the stage of proofreading. No traces of corrections in print suggests that the engraver of FE omitted the ornament, and Chopin simply added a grace note while proofreading FE. Therefore, the deletions in A prove that the composer hesitated, since it was the grace note that was removed there and replaced with a mordent. In this situation, both versions may be considered equal variants. Similar variations are to be found in other pieces by the composer, e.g. in the Ballade in A, Op. 47, b. 3 and 39 or the Mazurka in C minor, Op. 30 No. 1, b. 1, 5 and 9, 13.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A, Chopin's hesitations, Deletions in A, Authentic corrections of FE, Main-line changes

notation: Ornaments

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3