Page: 
Source: 
p. 8, b. 112-129
p. 1
p. 2, b. 1-16
p. 3, b. 17-33
p. 4, b. 34-52
p. 5, b. 53-74
p. 6, b. 75-93
p. 7, b. 94-111
p. 8, b. 112-129
p. 9, b. 130-143
p. 10, b. 144-161
p. 11, b. 162-178
p. 12, b. 179-196
p. 13, b. 197-213
p. 14, b. 214-233
p. 15, b. 234-251
p. 16, b. 252-264
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF A - Autograph


  b. 120-121

The deletions visible in A in these bars and empty space after the most probably erased g1 note under the a2 quaver in b. 121, which was initially most probably a g2 (it did not have a ledger line that would cross it), reveal that initially the 2nd half of b. 120 and the 1st half of b. 121 were analogous to b. 118-119: . The missing mordent in this version allows us to imagine two scenarios of the changes:

  • the idea to diversify b. 120-121 with respect to b. 118-119 came to Chopin when he was just about to write a mordent in the initial version of b. 121;
  • initially, there were no mordents in both places; it was only the melodically developed version of b. 120-121 that prompted Chopin to add an ornament 2 bars earlier.

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A, Main-line changes

notation: Rhythm

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3