Page: 
Source: 
p. 5, b. 23-44
p. 1
p. 2
p. 3
p. 4, b. 1-22
p. 5, b. 23-44
p. 6, b. 45-65
p. 7, b. 66-87
p. 8, b. 88-105
p. 9, b. 106-124
p. 10, b. 125-144
p. 11, b. 145-163
p. 12, b. 164-178
p. 13, b. 179-193
p. 14, b. 194-212
p. 15, b. 213-233
p. 16, b. 234-247
p. 17, b. 248-264
p. 18
FE1 - First French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 44

Accent under L.H. in A

2 short accents between staves in FE (→GE,EE)

2 long accents suggested by the editors

The two accents in FE must have resulted from Chopin's proofreading; apparently, he decided to homogenise the markings in b. 44 and 46. Taking into account the fact that the accents of A in b. 46 are clearly long, which, however, were reproduced by FE as short, we assume that it is also in b. 44 that Chopin most probably wanted to have long accents; this is the solution we adopt in the main text.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: Long accents, Inaccuracies in FE, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3