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p. 5, b. 27-52
p. 1
p. 2
p. 3
p. 4, b. 1-26
p. 5, b. 27-52
p. 6, b. 53-75
p. 7, b. 76-93
p. 8, b. 94-114
p. 9, b. 115-137
p. 10, b. 138-156
p. 11, b. 157-175
p. 12, b. 176-190
p. 13, b. 191-207
p. 14, b. 208-237
p. 15, b. 238-264
EE1 - First English edition
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 31

Single slur in A

Double slur in #FE (→GE,EE)

Chopin would sometimes use double slurs for pairs of L.H. octaves, e.g. in the Concerto in F minor, Op. 21, mov. III, b. 472-480. However, according to us, in the discussed place of the Ballade one can have doubts whether the top slur added by FE resulted from Chopin's proofreading or from a misunderstanding or a mistake of the engraver.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Authentic corrections of FE, FE revisions

notation: Slurs

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3