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Issues : Omission of current key accidentals
b. 72
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , FE revisions , Inaccuracies in A |
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b. 85-89
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composition: Op. 23, Ballade in G minor
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In A, Chopin overlooked the flats lowering a to a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE , Errors repeated in EE |
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b. 132-133
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composition: Op. 23, Ballade in G minor
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In these bars, Chopin overlooked in A all necessary flats lowering a1 and a2 to a category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , FE revisions , Inaccuracies in A |
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b. 134-135
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composition: Op. 23, Ballade in G minor
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The version introduced at the stage of proofreading FE (→GE,EE), certainly by Chopin, is definitely an improvement – the connection with the previous bar is smoother, while the shape of the applied motif refers to b. 126-129. The notation of A does not include any of the two necessary flats to a category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Omission of current key accidentals , Authentic corrections of FE , Main-line changes , Inaccuracies in A |
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b. 142-144
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in A |