Issues : EE revisions
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In FE, the bass clefs at the end of these bars and the treble clef after e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 140
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composition: Op. 23, Ballade in G minor
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In A (→FE→GE), there is no accidental to the 4th L.H. crotchet. Chopin's patent, as it seems, oversight went unnoticed by FE and the majority of GE; it was corrected only by EE and GE1a. In A, the L.H. part was being corrected in this bar; consequently, due to deletions, Chopin was forced to write the final version on an adjacent stave. However, the flat was not overlooked due to the corrections, since it was also absent in the initial version of notation. The change concerned mainly rhythm, i.e. there were rests instead of the 3rd and 6th crotchets: category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Corrections in A , GE revisions , Deletions in A , Accompaniment changes , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 144
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composition: Op. 23, Ballade in G minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 153
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composition: Op. 23, Ballade in G minor
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In A, the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in A |
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b. 154
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composition: Op. 23, Ballade in G minor
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In A (→FE), there is no accidental to the last quaver. In this context, it is a patent inaccuracy by Chopin, who would often consider the accidentals defined in the first octave of a scale or passage to be valid in subsequent octaves too (cf. the next bar or, e.g. the Prelude in D minor, Op. 28 No. 24, b. 18). Both GE and EE added a sharp here. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
in b. 139 were overlooked. The patent mistakes were corrected by 
. Before deleting the entire bar, Chopin probably changed the last chord too: 
(both examples are to be interpreted in the key of E
to f2. The accidental was also added by