Issues : Errors in FE
b. 138-140
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composition: Op. 23, Ballade in G minor
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In FE, the bass clefs at the end of these bars and the treble clef after e in b. 139 were overlooked. The patent mistakes were corrected by GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 138
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composition: Op. 23, Ballade in G minor
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Unlike in the case of the agogic markings in b. 125 and 136, it is difficult to find a justification for a possible abandonment of the scherzando indication. Therefore, we include it in the main text; we signalise its absence in the principal source by using brackets. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Authentic corrections of FE |
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b. 141
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composition: Op. 23, Ballade in G minor
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The accent was overlooked probably due to an oversight by the engraver of FE (→GE,EE), which Chopin possibly did not notice while proofreading FE. category imprint: Differences between sources; Editorial revisions issues: Errors in FE |
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b. 156-157
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composition: Op. 23, Ballade in G minor
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It seems that the accents – as many other markings – were overlooked by the engraver of FE. However, to respect the image of the text of FE, carefully proofread by Chopin, in the main text we suggest them in a variant form, in brackets. category imprint: Differences between sources issues: Errors in FE |
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b. 158-159
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composition: Op. 23, Ballade in G minor
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The L.H. slur in A is written down quite vaguely; moreover, it partially blends in with the hairpin, which was most probably the reason why it was overlooked by FE (→EE). GE added the slur, certainly by analogy with the next bars. category imprint: Differences between sources issues: Errors in FE , GE revisions |