![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in A
b. 56
|
composition: Op. 23, Ballade in G minor
..
When interpreted literally, the slur from the previous bars reaches the 4th or the 5th quaver, crossing a new slur on its way, encompassing b. 56-57. According to us, this notation may have at least 3 interpretations:
category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Inaccuracies in A |
||||||||
b. 65-67
|
composition: Op. 23, Ballade in G minor
..
It is only GE that include the correct version of the R.H. rest in the 2nd half of b. 65. In A and EE, there is only a minim rest (without a dot), while in FE there is no rest at all. In the 1st half of b. 67, A (→FE→EE) contain only a minim rest too, which suggests that it was considered to be filling a half of the bar (analogously to a semibreve rest). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , EE inaccuracies , Inaccuracies in A |
||||||||
b. 72
|
composition: Op. 23, Ballade in G minor
..
In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , FE revisions , Inaccuracies in A |
||||||||
b. 82
|
composition: Op. 23, Ballade in G minor
..
On the available photograph of A, the R.H. rhythm notation is vague – in the 1st half of the bar, there is an e category imprint: Differences between sources issues: Errors in FE , Inaccuracies in A |
||||||||
b. 85-89
|
composition: Op. 23, Ballade in G minor
..
In A, Chopin overlooked the flats lowering a to a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE , Errors repeated in EE |