|
b. 153
|
composition: Op. 23, Ballade in G minor
..
In A, the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in A |
||||||||
|
b. 154
|
composition: Op. 23, Ballade in G minor
..
In A, there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
||||||||
|
b. 154
|
composition: Op. 23, Ballade in G minor
..
In A (→FE), there is no accidental to the last quaver. In this context, it is a patent inaccuracy by Chopin, who would often consider the accidentals defined in the first octave of a scale or passage to be valid in subsequent octaves too (cf. the next bar or, e.g. the Prelude in D minor, Op. 28 No. 24, b. 18). Both GE and EE added a sharp here. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
||||||||
|
b. 155
|
composition: Op. 23, Ballade in G minor
..
In the entire descending passage, there is not a single accidental in A. FE added only a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A , Errors repeated in FE |
||||||||
|
b. 155
|
composition: Op. 23, Ballade in G minor
..
The typical long accent over the L.H. chord was reproduced by FE (→EE) as a short category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
to the 2nd quaver (e2) and 3 naturals to the 5th crotchet in the bar (B-b and b1) are missing. All accidentals were already added by 
to the bottom note of the octave. Chopin's patent oversight was corrected by 
3); the fact that it was only the 1st octave of the passage that was proofread may indicate Chopin as the initiator of the procedure. 
in 
in the previous bar. In