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Issues : Deletions in A
b. 100-101
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composition: Op. 23, Ballade in G minor
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In A, Chopin initially wrote a shorter slur, encompassing only the quaver figure in b. 100. The slur, written under the notes, was then removed and replaced with a longer one, over the notes. category imprint: Corrections & alterations; Source & stylistic information issues: Deletions in A |
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b. 112-113
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composition: Op. 23, Ballade in G minor
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The evolution of the slurring in these bars, visible in the deletions and corrections of A, could have looked like as follows:
The slur received its final shape at the stage of proofreading FE – Chopin prolonged it to the beginning of b. 115. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 120-121
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composition: Op. 23, Ballade in G minor
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The deletions visible in A in these bars and empty space after the most probably erased g
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 136
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composition: Op. 23, Ballade in G minor
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The più vivo indication was entered into A instead of the earlier sempre più vivo (which was deleted). According to us, the omission of sempre could have been correlated with it having been added before più animato in b. 126 (that sempre having been added later is evidenced by an unnaturally greater gap between sempre and più than between più and animato). In this situation, forgoing the indications in two places for a single più animato in b. 126, which we can see in FE (→GE,EE), can be considered the last stage of shaping the agogic changes in this fragment – Chopin could have assumed that such a solution would define here the relationships between the tempi in a simplest and most accurate manner, since it is from this bar that a new section begins, featuring a clearly different texture. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Corrections in A , Deletions in A , Authentic corrections of FE |
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b. 140
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composition: Op. 23, Ballade in G minor
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In A (→FE→GE), there is no accidental to the 4th L.H. crotchet. Chopin's patent, as it seems, oversight went unnoticed by FE and the majority of GE; it was corrected only by EE and GE1a. In A, the L.H. part was being corrected in this bar; consequently, due to deletions, Chopin was forced to write the final version on an adjacent stave. However, the flat was not overlooked due to the corrections, since it was also absent in the initial version of notation. The change concerned mainly rhythm, i.e. there were rests instead of the 3rd and 6th crotchets: category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Corrections in A , GE revisions , Deletions in A , Accompaniment changes , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |