Issues : Accidentals in different octaves
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b. 146
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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b. 153
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composition: Op. 23, Ballade in G minor
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In A, the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in A |
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b. 154
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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b. 154
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composition: Op. 23, Ballade in G minor
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In A (→FE), there is no accidental to the last quaver. In this context, it is a patent inaccuracy by Chopin, who would often consider the accidentals defined in the first octave of a scale or passage to be valid in subsequent octaves too (cf. the next bar or, e.g. the Prelude in D minor, Op. 28 No. 24, b. 18). Both GE and EE added a sharp here. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 156-157
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composition: Op. 23, Ballade in G minor
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In A (→FE), there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
to the bottom note of the last octave. It was added by 
to the 2nd quaver (e2) and 3 naturals to the 5th crotchet in the bar (B-b and b1) are missing. All accidentals were already added by 
to the bottom note of the octave. Chopin's patent oversight was corrected by 
2). Chopin's patent inaccuracy was corrected by 
1/2/3 in b. 156 and to the L.H. e