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b. 137
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composition: Op. 23, Ballade in G minor
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It must have been Chopin who removed the natural to the 5th quaver while proofreading FE (→GE,EE). This is the second correction at this point – in A one can see that the next note was also changed, most likely from g category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 138
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composition: Op. 23, Ballade in G minor
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In A, the slur at the end of b. 137, which ends the line, clearly indicates that it should be continued, yet in b. 138 a new slur begins. This very frequent inaccuracy was interpreted by FE (→GE,EE) as a continuous slur. In the main text we suggest a different solution, since in b. 138 a new theme of the Ballade begins. category imprint: Graphic ambiguousness; Differences between sources |
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , FE revisions |
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In FE, the bass clefs at the end of these bars and the treble clef after e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 138
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composition: Op. 23, Ballade in G minor
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Unlike in the case of the agogic markings in b. 125 and 136, it is difficult to find a justification for a possible abandonment of the scherzando indication. Therefore, we include it in the main text; we signalise its absence in the principal source by using brackets. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Authentic corrections of FE |