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Issues : Corrections in A
b. 41-42
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composition: Op. 23, Ballade in G minor
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As in b. 40, in each half of the bar, Chopin changed the structure of voices in the L.H. part – the initial version of notation repeated the versions of b. 37-38. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 45-47
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composition: Op. 23, Ballade in G minor
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At the beginning of b. 45 and 47, one can see deletions and corrections in the L.H. part in A. On the basis thereof, we can read the initial version of b. 45: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 54
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composition: Op. 23, Ballade in G minor
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The deletion visible in A allows us to decipher the initial version of this crotchet, i.e. probably C-G. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 56-60
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composition: Op. 23, Ballade in G minor
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In b. 56 in A, one can see a deleted d2 quaver, written initially at the end of the 1st half of the bar, perhaps by mistake – cf. b. 58. However, an identical correction 4 bars later, in b. 60, suggests another possibility – d2 could have been an element of the initial version of these passages. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 63
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composition: Op. 23, Ballade in G minor
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The b In A, one can see another deleted note between the f1 and d2 quavers, most probably b category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Errors in FE , Corrections in A , Terzverschreibung error , GE revisions , Deletions in A , Authentic corrections of FE , Main-line changes |