Issues : Inaccuracies in GE
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b. 128-129
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composition: Op. 23, Ballade in G minor
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Both the range of the dashes marking the range of cresc. having been shortened and them having been overlooked resulted from inaccuracies by the engravers of GE1 and GE1a, respectively. category imprint: Differences between sources |
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b. 140
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composition: Op. 23, Ballade in G minor category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 141
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composition: Op. 23, Ballade in G minor
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As was described in b. 140, the slur of A (→FE→EE) clearly continues the slur from the preceding bar, which, due to the vague position of the ending of the slur of FE in b. 140, was not included by GE. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 155
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composition: Op. 23, Ballade in G minor
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The typical long accent over the L.H. chord was reproduced by FE (→EE) as a short hairpin under the R.H. part, correlated with the in the previous bar. In GE, the mark was distorted to an even greater extent – it was provided with the form of a short accent under e3. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 170-172
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composition: Op. 23, Ballade in G minor
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The interpretation of the three marks in A can be approached from different angles:
The versions of the editions resulted from the marks in b. 170-171 having been unified; none of these changes resembles Chopinesque proofreading process. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |
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