Issues : EE revisions
b. 33
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composition: Op. 23, Ballade in G minor
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In A, the only cautionary accidental is a before c at the beginning of the bar. FE (→GE,EE) added a before C and a before e1, while EE and GE3 (→GE4) also a before the g2 semiquaver. In the main text we include all the above accidentals. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 33
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composition: Op. 23, Ballade in G minor
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In A (→FE), there is no before the last semiquaver (e3) in the 1st half of the bar; the restoring e2 on the 11th small quaver in the 2nd half is missing too. The former was added both by GE and EE; by contrast, none of the editions noticed the absence of the latter. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 34
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 36-39
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composition: Op. 23, Ballade in G minor
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In A, the pedal asterisks are irregularly distributed; moreover, it seems that they are accidental – the majority before the 3rd crotchet of a given half of the bar, yet some under (the 2nd one in b. 37) or after (the 2nd one in b. 38 and the 1st one in b. 39). Such a notation was not reproduced by FE; however, it is also here that the differences in the placement of the asterisks seem to be accidental – 5 out of 8 marks fall after the 3rd crotchet, while 3 under (in the 1st half of b. 36, 37 and 39). GE and EE tried to homogenise the placement of those marks:
In the main text we suggest a notation that could be called an averaged notation of A – all under the 3rd or the 6th crotchet in the bar. We consider such a notation, compliant with the harmonic structure of this fragment, to be a contextual interpretation of the notation of A. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , Inaccuracies in A |
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b. 37
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE , Errors repeated in EE |