Issues : Authentic corrections of FE
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b. 31
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composition: Op. 23, Ballade in G minor
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Chopin would sometimes use double slurs for pairs of L.H. octaves, e.g. in the Concerto in F minor, Op. 21, mov. III, b. 472-480. However, according to us, in the discussed place of the Ballade one can have doubts whether the top slur added by FE resulted from Chopin's proofreading or from a misunderstanding or a mistake of the engraver. category imprint: Differences between sources issues: Authentic corrections of FE , FE revisions |
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b. 32
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composition: Op. 23, Ballade in G minor
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There are no naturals before the outer notes of the 2nd L.H. crotchet (e-e1) in A. The inaccuracy was corrected already in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Authentic corrections of FE , FE revisions , Inaccuracies in A |
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b. 33
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composition: Op. 23, Ballade in G minor
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In A, the only cautionary accidental is a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 36
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composition: Op. 23, Ballade in G minor
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The traces of corrections in print visible in FE reveal that the L.H. part was initially provided with one slur, running from the 2nd to the last crotchet. Therefore, the slurring of FE (→GE,EE) compliant with the notation of A resulted from proofreading, probably Chopinesque. category imprint: Source & stylistic information issues: Authentic corrections of FE |
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b. 37
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE , Errors repeated in EE |
before c at the beginning of the bar. 
before e
1, while