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Issues : EE revisions
b. 251-255
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composition: Op. 23, Ballade in G minor
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We keep the notation of A (→FE), where the accidentals in b. 251 for the R.H. part are then not repeated before the same L.H. notes. An analogous situation is to be found in b. 255. In A one can even see that Chopin deleted all accidentals that had been written in those places – four in b. 251 and the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , GE revisions , Deletions in A |
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b. 252-253
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composition: Op. 23, Ballade in G minor
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The deletions visible in A reveal that Chopin considered the dynamic markings over the R.H. part not suggestive enough and moved them lower, between the parts of both hands. None of the sources reproduced this notation accurately – in FE (→GE) the marks were placed too low, before the L.H. part, while GE overlooked category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Errors in GE , Deletions in A |
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b. 256
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composition: Op. 23, Ballade in G minor
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As in b. 252, Chopin deleted in A the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Deletions in A |
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b. 256-257
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composition: Op. 23, Ballade in G minor
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The missing d1 notes in the chords must be a mistake by the engraver of EE1 (→EE2). It was corrected only just by EE3. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 256
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composition: Op. 23, Ballade in G minor
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A (→FE) did not restore the bass clef before the chords. Chopin's mistake was corrected both by GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors of A , Errors repeated in FE |