Issues : GE revisions
b. 225-227
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composition: Op. 23, Ballade in G minor
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In A (→FE), Chopin overlooked the sharps raising f3 to f3 in b. 225 and 227. The accidentals were added by EE, while GE repeated both accidentals before these sixths, and . category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 228-229
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composition: Op. 23, Ballade in G minor
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The chromatic notation of A is inaccurate in a peculiar way – Chopin overlooked the to the bottom note of the 1st octave in b. 228 (B1) and the accidentals to the bottom notes of the sixths on the 4th quaver in both bars (a2 and f2, respectively). It is also noteworthy that there is a cautionary to f2, but not a quaver earlier to f1. FE added only a to B1. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Last key signature sign , Inaccuracies in A , Errors repeated in FE |
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b. 232
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composition: Op. 23, Ballade in G minor
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The version of GE1a with an a2-f3 sixth resulted from a routine revision based on the idea that diminished or augmented octaves generally come from oversights or mistakes. category imprint: Differences between sources issues: GE revisions |
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b. 245-246
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composition: Op. 23, Ballade in G minor
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In A, the slurs between these bars were being corrected – according to us, Chopin divided the initial continuous slur, which is indicated by the endings marking the division of the slur (the endings are clearly bolder, hence more important, final). However, the part of the initial slur that was supposed to be deleted was not eventually removed, hence FE (→EE) understood this correction the other way around (it is also likely that the correction was not there yet when FE was being engraved – see the description of FE). In the main text we give the slurs separated by Chopin. The versions of GE and GE1a, with the slur divided before the last sextuplet and after it, most probably resulted from mistakes or arbitrary revisions. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Corrections in A , Errors resulting from corrections , Errors in GE , GE revisions |
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b. 245
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composition: Op. 23, Ballade in G minor
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In the main text we reproduce the additional slurs over the sextuplets, consistently present in A (→FE,EE). category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |