



Pitch
b. 138-140
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , FE revisions |
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In FE, the bass clefs at the end of these bars and the treble clef after e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 139
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composition: Op. 23, Ballade in G minor category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 140
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composition: Op. 23, Ballade in G minor
..
In A (→FE→GE), there is no accidental to the 4th L.H. crotchet. Chopin's patent, as it seems, oversight went unnoticed by FE and the majority of GE; it was corrected only by EE and GE1a. In A, the L.H. part was being corrected in this bar; consequently, due to deletions, Chopin was forced to write the final version on an adjacent stave. However, the flat was not overlooked due to the corrections, since it was also absent in the initial version of notation. The change concerned mainly rhythm, i.e. there were rests instead of the 3rd and 6th crotchets: category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Corrections in A , GE revisions , Deletions in A , Accompaniment changes , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 142-144
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in A |