Issues : Authentic corrections of FE
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , FE revisions |
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b. 138
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composition: Op. 23, Ballade in G minor
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Unlike in the case of the agogic markings in b. 125 and 136, it is difficult to find a justification for a possible abandonment of the scherzando indication. Therefore, we include it in the main text; we signalise its absence in the principal source by using brackets. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Authentic corrections of FE |
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b. 139
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composition: Op. 23, Ballade in G minor category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 142-144
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composition: Op. 23, Ballade in G minor category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in A |
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b. 144
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composition: Op. 23, Ballade in G minor category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Authentic corrections of FE |
restoring b
2 in b. 138 and in the next two, which are marked in an abridged manner as a repetition of this bar. The mistake, typical of Chopin, was corrected by 
