



b. 217-218
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composition: Op. 23, Ballade in G minor
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The missing pedal markings at the end of b. 217 and in b. 218 in A must be Chopin's inadvertence, since it is the end of a line in A, which is conducive to oversights – after a moment of distraction, the composer resumed writing indications from a new line. category imprint: Differences between sources issues: Authentic corrections of FE , No pedal release mark , Inaccuracies in A |
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b. 217-218
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composition: Op. 23, Ballade in G minor
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In the main text we reproduce the coinciding slurs of A (→FE→EE). However, it seems likely that the end of the slur in b. 217 was written down inaccurately, since many slurs of A are written down with a flourish; what is more, their endings often go far beyond their intended end point. Therefore, the version of GE may be considered an equal variant. There is a similar situation upon repetition of this phrase in b. 225-226. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 217-219
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composition: Op. 23, Ballade in G minor
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In A (→FE) there are no sharps raising f2(3) to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 218
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composition: Op. 23, Ballade in G minor
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In A (→FE) there are no flats lowering a2(3) to a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 218-223
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composition: Op. 23, Ballade in G minor
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GE and EE considered the longer accent under a category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , EE inaccuracies |