mUltimate Chopin

Op. 44, Polonaise in F♯ minor

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Page: 
Source: 
p. 12, b. 215-243
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 232-235

In AImaz the form of the accompaniment is much simpler. In b. 232-233 it consists of two crotchets (bass and chord) and rests. In b. 234-235 there are crotchets only following the bass-chord-chord scheme, whereby both bars are almost exclusively based on a B major chord (it is only on the 3rd beat of b. 234 that an E major chord appears).

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Accompaniment changes

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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