Page: 
Source: 
p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Important
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  b. 18-30

 in GE

in FE

 &  in EE

All trills in b. 18, 20 and 30 are written in GE without the wavy lines indicating that an entire rhythmic value of the trilled note should be filled with the trill. In the main text we follow the more suggestive version of notation of FE (→EE), whereby in EE the wavy line in b. 18 was overlooked.

See b. 10-12

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in EE

notation: Ornaments

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES