Page: 
Source: 
p. 12, b. 215-243
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 241-242

B tied in GE

B repeated in FE (→EE)

As was the case with the slur and tie in this bar (see the adjacent notes), GE contain a tie that is absent in FE (→EE). However, in this case the choice of the main text was influenced by stylistic and pianistic reasons – a tied B significantly complicates the performance with a minimal difference to the sound. Moreover, one could assume that playing both elements of the octave is an improvement, since it underlines the culminant nature of this bar. In this situation, the absence of the tie probably resulted from the change of concept by Chopin, who removed it in the basis for FE or while proofreading it.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES