Page: 
Source: 
p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
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Pedalling
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Important
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  b. 30-33

Slur from bar 30 in GE

Slur from bar 31 in FE (→EE)

To the main text we adopt the version of the principal source, i.e. FE, since it was the latest one controlled by Chopin. It is compliant with the slurring of analogous b. 56-59 and 289-292 present in all sources. The version of GE, probably also authentic, can be considered a variant.

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES