Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 13-14

Crotchets in GE1 & FE (→EE)

Only R.H. crotchets in GE2

Dotted crotchets suggested by the editors

In the main text we suggest prolonging the separated R.H. octaves after the authentic notation in analogous situations in b. 37-40. We also suggest prolonging B in b. 13, since there is no visible reason to approach that note differently than the R.H. octave (this figure does not appear in the Polonaise in this form anymore).
While rearranging the layout of the L.H. beams GE2 omitted the additional stem to B in b. 13.

Compare the passage in the sources »

category imprint: Editorial revisions

issues: GE revisions

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES