mUltimate Chopin

Op. 44, Polonaise in F♯ minor

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Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 16

In FE we can see here traces of g1 noteheads in the L.H. in the semiquaver C7 chords. It could have been a mistake of the copyist or of the engraver (a Terzverschreibung error) or the initial version, changed by Chopin at the stage of proofreading FE. If the latter were true, it would be another – next to the pedalling – distinct change introduced at the last moment in #A, but not in [FC].

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category imprint: Source & stylistic information

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notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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