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p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
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EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 32

Double dotted rhythm in GE

Dotted rhythm in FE (→EE)

It cannot be safely said which version represents Chopin's final intention. In FE the R.H. rhythm does not contain a mistake, yet the way the notes are aligned (the R.H. with respect to the L.H.) suggests a different version of rhythm than the one resulting from the rhythmic values, i.e. the one we can observe in GE. As was the case with b. 29, it can be regarded as a mistake of the engraver or a possible correction of Chopin; however, in this case too, no visible traces of changes (traces of removal of the second pair of dots and of the third beam) are an argument against a correction. Therefore, in the main text we follow the unequivocal rhythm of GE, analogous to b. 28. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES