mUltimate Chopin

Op. 44, Polonaise in F♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 49-64
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 59

No mark in FE (→EE) & GE

Arpeggio sign suggested by editors

In the main text we add an arpeggio mark after a comparison with analogous b. 33 as well as with b. 109. In the case of chords with such a span, Chopin most probably meant the marks placed in those bars before the first chord to apply to all the following ones in this and analogous bars.

Compare the passage in the sources »

category imprint: Editorial revisions

issues:

notation: Ornaments

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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