mUltimate Chopin

Op. 44, Polonaise in F♯ minor

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Page: 
Source: 
p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
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Main
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  b. 27

Arpeggio sign & grace note in GE

Grace note & arpeggio sign in FE (→EE)

In FE (→EE) the arpeggio is written down as a vertical curved line before the f-f1 octave, which we replace with a common wavy line – cf. General Editorial Principles, p. 5a. To the main text we adopt the order of marks of FE, which is more natural in this context.

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category imprint: Interpretations within context; Differences between sources; Source & stylistic information

issues: Arpeggio – vertical slur

notation: Ornaments

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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