mUltimate Chopin

Op. 44, Polonaise in F♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 17, b. 310-326
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
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  b. 320

2 triads in GE & EE2 (→EE3)

3 triads in FE

Sixth on the 6th quaver of the bar in EE1

The versions of GE and FE can be considered equal variants, since each of them may be authentic; moreover, it seems impossible to determine their chronology. In the main text we give the version of FE, our principal source. The version of EE1 is most probably a mistake of the engraver, revised in EE2 (→EE3).

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category imprint: Differences between sources

issues:

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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