Page: 
Source: 
p. 17, b. 279-293
p. 1
p. 2
p. 3, b. 1-13
p. 4, b. 14-28
p. 5, b. 29-43
p. 6, b. 44-58
p. 7, b. 59-73
p. 8, b. 74-91
p. 9, b. 92-106
p. 10, b. 107-121
p. 11, b. 122-147
p. 12, b. 148-177
p. 13, b. 178-209
p. 14, b. 210-239
p. 15, b. 240-263
p. 16, b. 264-278
p. 17, b. 279-293
p. 18, b. 294-308
p. 19, b. 309-326
p. 20
GE1 - First German edition
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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copy link PDF GE1 - First German edition


  b. 283

No slurs in GE

Slurs in FE (→EE)

It is uncertain whether the two triplet slurs, added probably at the stage of proofreading of FE (→EE), were supposed to have any other meaning according to the person who was entering them (perhaps Chopin), e.g. motivic or concerning articulation. We do not include them in the main text and thus keep the notation of the corresponding bars (b. 50 and 283) in the first and final sections of the Polonaise coherent, as intended by the composer. 

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category imprint: Differences between sources

issues: FE revisions

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES