mUltimate Chopin

Page:

Source:

p. 12, b. 215-243

p. 1, b. 1-16

p. 2, b. 17-34

p. 3, b. 35-48

p. 4, b. 49-64

p. 5, b. 65-82

p. 6, b. 83-97

p. 7, b. 98-112

p. 8, b. 113-126

p. 9, b. 127-157

p. 10, b. 158-185

p. 11, b. 186-214

p. 12, b. 215-243

p. 13, b. 244-267

p. 14, b. 268-281

p. 15, b. 282-295

p. 16, b. 296-309

p. 17, b. 310-326

Main text

GE - German edition

GE1 - First German edition

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

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Category

Notation

Differences

No differences

GE - German edition

GE1 - First German edition

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 225-226

Quavers & in GE & FE (→EE1)

& in EE2

The change of rhythm on the 1st beats of these bars, introduced by EE2 and totally arbitrary, was meant to make them resemble the version of analogous b. 166-167. The decision to revise the text could have been influenced by the erroneous semiquaver beam printed in EE1 next to the 2nd R.H. quaver in b. 225.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in EE

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES

Complete ➔

Op. 44, Polonaise in F♯ minor