Page: 
Source: 
p. 12, b. 215-243
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 224-227

3 slurs in GE

Continuous slur in FE (→EE)

In the main text we give the slurring of GE, in which the slurs are separated with rests in b. 224 and 226. Although one can often encounter slurs over rests in Chopin's output – cf., e.g. b. 217 or 240 – in this case it is much more likely that the continuous slur encompassing b. 220-227 in FE resulted from misinterpretation of the slurs of the handwritten basis (perhaps inaccurate or ambiguous). It particularly concerns b. 224 – cf. analogous b. 165 – in which the melody, not to mention the L.H. part, moves on to a higher register (from f1-e2 in b. 220-224 to f2-c3 in b. 224-227).

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES